![]() Johann Nepomuk Hummel completed what neither Mozart of Haydn had during the late classical and early romantic period by writing what is known as the best viola sonata of that time. This particular piece of music had me vividly imagining the courts of old when balls were held in the castles of kings and noblemen, women swirling in their big, beautiful dresses while a string quartet plays on a raised dais.ģ. She performs all eight of the viola d’amore with a twelve-string, six of which are played with the bow, and the remaining six resonate passively, making a sweet silvery tone. Rachel Barton Pine is a chart-topping violinist who has appeared as a soloist with many of the world’s most prestigious ensembles. Vivaldi’s affiliation with this instrument seems to have been a lifelong interest. The viola d’amore has an exceptionally sweet and warm sound. These instruments were used predominately in the Baroque Period, approximately from 1600 to 1750, following the Renaissance music era and before the Classical era. ![]() A viola d’amore, which actually translates to ”love viol”, generally is a six or seven-stringed instrument with several sympathetic strings. Vivaldi’s works for the viola d’amore are some of the first known concertos for this instrument. Vivaldi on viola d’amore – Rachel Barton Pine After which, she toured, played, and attended many prestigious events and schools and is currently attending Indiana University to finish her Master’s Degree.Ģ. She received a Bachelor’s Degree in Music from The Juilliard School. Rose Armbrust Griffin began studying viola at the very young age of two and immediately began performing and competing. It’s one of his most famous works and, as evidenced by Rose Armbrust Griffin, it is still performed today. This concerto is just one of the hundreds of concertos written by him for various instruments. The Telemann Viola Concerto is such lovely work that is well known not only among viola and violin players but musicians in general.Īlthough some musicians may feel this piece is somewhat easy to play, there are certain challenges that present to both students and advanced performers alike. George Phillip Telemann’s Viola Concerto in G major was written sometime between 1716 to 1721 and was the first known concerto for viola. Telemann Viola Concerto in G major, Rose Armbrust Griffin Enjoy! (These are in no particular order.)ġ. Here are ten examples of great classical viola music. Viola players have contributed to classical music ever since Mozart’s time and that is even more true in this day and age. 10 Great Classical Viola MusicĪlthough the viola is often overlooked by composers, there are a plethora of violists today who perform solo performances. This was par for the course until relatively more recent times when the number of viola players not only increased but began to demand solo performances of their own by the twentieth century. Violinists would simply fill in, playing the viola parts. The viola becomes an essential part of the string accompaniment during the sixteenth and seventeenth centuries, which lead to it taking its rightful place in the orchestra and in various popular forms of chamber music.Īlthough the viola had far fewer solos, this was mainly due to the lack of violists. The viola has a long and distinguished history as part of the violin family. ![]() The musician who plays the viola is referred to as a violist, while the violin player is called the violinist. The resulting differences lend the viola a deeper, richer, mellower, warmer sound than the violin. The viola has the same basic construction as the violin but is larger in size, heavier, and strung with both heavier and less responsive strings. Positioned between the violin and the cello, the viola is the rich-toned middle voice, or alto, of the violin family. The viola is the middle voice, or the alto, of the violin family, positioned between the violin and the cello. Trk 1.The viola is a string instrument that is generally played using a bow, but it can also be played used various other techniques. La conférence from VIIIe Concert (excerpt) by le Sieur de Sainte Colombe, performed by Jordi Savall and Wieland Kuijken. Colombe is credited with adding a 7th string to the bass end of the viol, taking it down below the cello to A, and expanding its range to an astonishing compass of well over three octaves. Colombe, Forqueray, and Marais, and German works by Buxtehude, Telemann, Bach, Schenk, and Abel. The solo music for the viol includes division and lyra-style (chordal) works from England, dance suites by French composers like St. 2 Vivace (excerpt), performed by Mary Springfels. Sonata for solo gamba by George Philipp Telemann, mvt. Portrait of (?) the last viol virtuoso, Carl Friedrich Abel (1723-87).
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